Somewhere nearby you would almost invariably find:
My mum made me a lesbian and I will be
forever grateful
Then someone else would have added:
If I buy her the wool, will she make me one too?
It was graffiti. Yes, it was the illegal defacing
of university property. Vandalism. But in 1976 it was bloody funny. And it was designed to provoke
discussion. I can remember being excited by the way the world — the universe —
opened up to me when I started univers-ity. Provocative ideas. Rebellion. Protest.
Feminism was queen, the anti-nuclear movement was alive and well, and we were there because we wanted to get an education… not a job.
But that’s not what I wanted to
talk about. Excuse me for a minute while I just climb down off this high-horse
and clamber up onto my soapbox.
Aussie soldiers started graffiting Foo wherever
they went in WW1, a weird tradition picked up by the Brits and Americans (who
felt the need to change his name to Kilroy — Really? Kilroy? What’s wrong with
Foo?) and then carried on into WW2. So,
although there seems to be no definitive explanation of who Foo was and why it
mattered that people knew he’d been there, it doesn’t take a
great leap of logic or faith to imagine that these were largely untravelled and
inexperienced young soldiers in a foreign country, so they could very well have seen Foo as
a kind of visual indicator to civilians of the spread of advancing allied forces.
But what's the logic behind tagging a train, a fence, a street
sign, a building, an advertising billboard or even someone’s car with your
personal logo? What purpose does it serve? It doesn’t raise awareness of an issue or create discussion for
social change. It doesn’t engage viewers, nor does it qualify as street art.
Tagging cannot be compared to this:
So here’s what I’ve been wondering…
is graffiti tagging just a selfie in a spray can?
is graffiti tagging just a selfie in a spray can?